However, I think the key is that you are only writing one 4GB stream file at a time versus 32 of them.įixable on a future firmware update (would have to help the legit to SPEC SDHC's out, too)? However, with that multitrack wav (that you split with an easy to use tool now on your computer later), you still get the FAT32 4GB file limitations and have to create those continuation files. But someone please tell me why it works so well with so many SDXC cards on another console with the same disclaimer about how SDXC cards may or may not work for CYA? Same bit rate and everything. Instead of writing 32 individual file streams, plus having to create new ones due to the FAT32 limitations every 4GB, that's a lot of crap going on. Other than maybe the controller, etc., I'm thinking that the fact that Behringer/Midas/MusicGroup chose to write to a multi-track wav file versus 32/16/etc individual track file is the reason you can easliy find plenty of huge SDXC cards that will do fine formatted FAT32. I like many multiple backukps and options.Īfter seeing that common explanation about how SD's do better with a single file stream at a time to keep the transfer speed up. I will be keeping my X32 Rack and X32 console and Midas D元2 stage box anyway. Tested for around 9 to 12 tracks at best. I have purchased even more 128GB and 256GB SDXC cards just to give it a shot at having more than an hour and a half of 32ch recording without having to lug the Desktop replacement grade laptops around versus one of the lighter ones.
Sounds like it's picky as heck about SDHC 32GB cards. with exception to the SD multitrack recording design. Well, I can now say I love everything about the Series iii StudioLive.
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